Country Western meets Street Style

Amythyst Kiah

Throughout her career, Kiah has challenged conventional expectations, both in her music and personal identity. As a Black queer woman in the Americana and roots music scene, she has navigated and confronted societal assumptions, using her platform to address issues of race, sexuality, and mental health. Her song "Black Myself," which earned a Grammy nomination, is a powerful anthem that reclaims Black identity and challenges systemic racism. Through her artistry, Kiah continues to inspire and provoke thought, solidifying her place as a formidable and influential figure in contemporary music.

Ja'Dayia Kursh - The First Black Rodeo Queen

Throughout her journey, Kursh has faced challenges, including instances of racism and the pressures of being a trailblazer in a traditionally homogeneous industry. Nevertheless, she remains steadfast in her mission to inspire and empower the next generation of equestrians, emphasizing the importance of authenticity and resilience. Her story serves as a testament to the impact of perseverance and the pursuit of inclusivity within the Western lifestyle. 

Bill Pickett - Texas Bull Dogger

Pickett’s contributions were posthumously recognized, ensuring his legacy lived on. In 1971, he became the first Black cowboy inducted into the National Cowboy & Western Heritage Museum’s Rodeo Hall of Fame. His impact is also honored through the Bill Pickett Invitational Rodeo, the first all-Black touring rodeo, which continues to celebrate the contributions of African American cowboys and cowgirls.

Allison Russell - singer, songwriter, poet, activist, and multi-instrumentalist

Russell's music is an amalgam of American roots, reflecting her diverse heritage as a Scottish-Grenadian-Canadian. She identifies as a mixed-heritage Black woman and emphasizes that music transcends national borders, much like the human spirit. Her artistry is influenced by various genres and writers, and she describes herself as "genre-fluid." Instruments like the clarinet and banjo have become conduits for her songwriting, allowing her to express her unique musical perspective.

Big Mama Thornton - Nothin But a Hound Dog

Thornton's influence extended beyond "Hound Dog." In the 1960s, she experienced a career resurgence, particularly when Janis Joplin covered her song "Ball and Chain," bringing her renewed attention. She continued to perform with major rock and blues artists, solidifying her impact on multiple genres. Despite her contributions, Thornton remained underappreciated compared to the artists she influenced.  

Rhiannon Giddens Folk Artist Reviving the Banjo

Songs are historical artifacts,” she says. “If we look at them in the correct context and really do the work around them, we can reap a lot of benefit from that.” “At the Purchaser’s Option,” the opening track of her 2017 album, Freedom Highway, for instance, was inspired by an advertisement for a young enslaved woman and her nine-month-old baby that was posted in the 1830s. 

Lesley Riddle - founder of "Country Music"

Riddle played a significant role in framing the style of what came to be known as "country music" due to his collaboration with and teaching music to the Carter Family. 

 

Linda Martell Country Music's Pioneer Defying Genera

She make her first country album in 1960 and in 1969 became the first Black woman to perform at the Grand Ole Opry. Released in 1970, her sole album, Color Me Country, was the first major release by a Black female artist in country. A mix of honky-tonk spunk and heartbreak balladry, all infused with her roots in gospel and R&B, the album spawned three country hits.

 

Charley Pride

“I always think about Charley Pride. It would’ve been so easy for me to never hear his name if I didn’t have someone in my life invested in talking about the history of people of color in country and roots music,” she adds. “It would’ve been so easy for me to miss his music… after a while, one can’t help but think that’s purposeful.” - Yola 

Country Music is Built on Black Music

Every facet of country music from its instrumentation to repertoire to vocal and instrumental techniques is indebted to African and African-American traditions. At some point, it became an accepted cultural narrative that country music is the domain of white people. This has never been the case, but more to the point, it has never been further from the truth than right now.

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